The Alavese filmmaker Elixabet Núñez takes on her first short film as a director and screenwriter, A-Maniki, a social critique of a highly relevant issue: ageing and the digitalisation of society. Núñez introduces us to her debut film, shares her experience of premiering at the Málaga Festival, and discusses her expectations for this project.

How would you introduce ‘A-Maniki’ to us? What story does it tell?

It explores isolation and ageism in a society that progresses while gradually leaving older people behind, making them invisible. As we become more connected to screens, we grow increasingly disconnected from reality. The film follows an elderly woman struggling with the everyday challenges of technology at her age. Using this as a foundation, we have crafted a story rich in visual metaphors, delving into the protagonist’s anguish. The narrative transitions from realism to horror, incorporating surreal elements along the way.

How did the idea for this project come about?

I liked the idea of writing about a person inside a shop window, separated by a pane of glass, a metaphor for the screens that trap us. Then, I came across a news story with a photo of an elderly woman inside a shop window. They had closed the shop with her still inside; no one noticed her.

It’s a piece that offers a social critique on the isolation and neglect of the elderly, with a particular focus on the digital divide. What is the main message of the short film?

I think the message is about raising our heads and reconnecting with what’s around us before it vanishes entirely. It’s a self-critique of society; we live trapped in a pace where, if you’re not keeping up, you simply don’t exist.

What did it mean for you to be selected to participate in the Official Short Film Section of the Málaga Festival?

It’s a great joy and an incredible opportunity. This is my first short film, and for a festival like Málaga to support us gives me the strength to keep trying to tell stories.

What was your goal in attending?

For ‘A-Maniki’ to be seen and reach a wide audience. Also, to stir something in the viewers.

What journey has the short film taken so far?

So far, we’ve received several public grants that have made this possible, providing support right from the script stage. Now we’re kicking off with the premiere in Málaga, and we hope to be part of many more festivals.

What has the reception been like from both critics and the public?

It hasn’t premiered yet; not many people have seen it. I hope it’s well received, as I believe we’ve taken risks in the way we tell the story. For better or for worse, we’ve done something different.

Looking to the future, can you give us a hint about the projects you’re working on?

I have a new project, once again with a social critique at its core and a very relevant theme. I hope to bring it to fruition this year.